Showing posts with label comics. Show all posts
Showing posts with label comics. Show all posts

Wednesday, February 10, 2010

Suspense in the "Reveal" cover

Hello everyone!

This week I'm going to discuss the "reveal" cover. I've played through some mental issues, (specific covers in my mind, for clarity), and remembered these illustrations that struck a chord.

Green Lantern #69: Cover Illustration by Gil Kane


Rule #1: Target subconsciously an emotion for what you're revealing.

Red can mean danger. Blue = calming. Green means, well you get the picture. . . High camera angle suggests dominance, low camera angle suggests being submissive. The first thing that attacks my subconscious is the cover features a predominant crimson red. We're immediately on alert.

Rule #2: Text usually pulls primary focus against most images. (In other words, it's best when the text is not giving everything away.)
In this case it helps deliver "THE SETUP". The first actual conscious "story reveal".
Visually we're cued by the foreground woman's sinister glance and bad dental work.

This by itself is a strong visual story. Our eyes jump to Green Lantern's expression, LEAD by the girl's eyes. His REACTION supports what we're thinking, the "reveal-deal" is sealed and a moment of suspense is captured. You feel a chill in this instance. This brings me to my third point:

Rule #3: Visually lead the viewer.
This cover engages you to investigate further. To look for more clues about the situation, to maybe even want to read the book. This can be done by composition, color, balance, size, and lighting to just name a few techniques.

Finally Rule #4: If the cover features a hero, allow your hero to be empathized by the audience.
Green Lantern is reacting how most of us would react to this situation. Our hero connects with us and we fear for him which helps build the suspense.

The best reveal covers surprise you with the reward of discovery.

This cover would fly off the shelf had I been around to catch it in the spinner rack. If you've never read the book, I suggest you let the cover speak for itself.

Here is another great example of a reveal cover:


Animal Man #5: Cover by: Brian Bolland

The same principles can be applied to this cover and a fresh perspective is achieved. This cover does feature an event that actually happens in the book, but it's been speculated to as the timing and meaning.

Obviously these are just a few points based on my experience and there are many more ways to make an enticing cover using the reveal.

Please feel free to submit ideas comic suggestions to discuss to my e-mail.

In the meantime, the next subject I'm going to cover is "Face to Face". A discussion on the formula of a hero directly facing the villains of the book, literally face to face.

Until then, ENJOY!

Friday, November 13, 2009

Freedom From Want. . . tribute



JSA #54 features one of thousands of homages to Norman Rockwell's Freedom From Want, one of the highly renowned Four Freedoms series. These are done so often, I normally ignore them, but this one, pencilled by Carlos Pacheco and inked by Jesus Merino, successfully conveys the emotions of gratitude and brotherhood appropriate for the legacy superhero book featuring the world's first superhero team.











Comic Cavalcade #18 from 1942 features an E.E. Hibbard cover. Everett Edward Hibbard worked in comics for less than a decade, but worked on some of the most important comics of the golden age. Starting with Flash Comics #3 he was the main character's main artist until he left comics and is believed to have drawn the iconic cover of All-Star Comics #3, the first appearance of the Justice Society of America. This light-hearted cover accurately reflects the attitude of the golden age, with a playful image that likely has nothing to do with the interior comments of the book, and one has to smile at the idea of Flash, Green Lantern and Wonder Woman having a difficult time catching a turkey.




The idea of ducks eating turkey is an odd one, which the Disney artists seemed to ignore. This one's by Barks. One of turkey in the fridge comes to mind, but I couldn't find it. There have been an awful lot of Disney comics over the years.

L

Tuesday, October 6, 2009

Art update

Hello all,

I haven't been around much lately with family life, career life, and personal life all swooshing about. Sorry for not keeping in touch like I have been. I wanted to update the blog with a piece of art I just finished. The layout was put down by a close friend Paul Linsley and he also worked on rendering the mountain range and dirt path.

This painting is going to be used for Maverik's fleet card and possibly a billboard or two in the valley. The truck was a lot of fun blowing out the perspective and rendering the tire / chrome parts were a lot of fun too. Gotta love the "create brush" tool.

That's all for today but I'll have another comic cover post hopefully sooner than later.

Enjoy!

Ian